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	Desert Blood: The Juárez Murders Ivon Villa, a women's studies professor who needs to finish her dissertation in order to keep her job, travels to her hometown of El Paso to arrange for an adoption for herself and her female lover. Just across the border, however, the pregnant Juarez factory worker who agreed to give up her baby becomes the latest victim in a long string of unsolved murders of Mexican women in the area. Ivon vows to get past the secrecy, coverups, and conspiracy surrounding the terror-inflicting murders while dealing with her mother's disapproval, her cousin's alcoholism, and a renegade priest's activism. Offering a powerful depiction of social injustice and serial murder on the U.S.-Mexican border, this is an essential purchase for both mystery and Hispanic fiction collections. A native of the Juarez/El Paso border, Gaspar de Alba (Sor Juana's Second Dream) is an associate professor of Chicano studies and English at UCLA. Copyright 2005 Reed Business Information. (from www. barnesandnoble.com)
	La Llorona on the Longfellow Bridge: poetry y otras móvidas, 1986-2001 In her introduction, Gaspar de Alba explains that the poems and prose poems here track her travels, physical and metaphorical, between1981-2001. The writing serves as a "bridge" in her life's journey, while "La Llorina is the border." (La Llorona, the mythical Mexican mourner who wanders in search of her lost children, is voice, soul, grief, mother,and duende , that elusive and vital artistic force.) The poet invites us to travel with her — all we need is an "open palm." (from www. newpages.com )
	Velvet Barrios: Popular Culture & Chicana/o Sexualities (Palgrave 2003) In Chicano/a popular culture, nothing signifies the working class, highly-layered, textured, and metaphoric sensibility known as "rasquache aesthetic" more than black velvet art. The essays in this volume examine that aesthetic by looking at icons, heroes, cultural myths, popular rituals, and border issues as they are expressed in a variety of ways. The contributors dialectically engage methods of popular cultural studies with discourses of gender, sexuality, identity politics, representation, and cultural production. In addition to a hagiography of "locas santas," the book includes studies of the sexual politics of early Chicana activists in the Chicano youth movement, the representation of Latina bodies in popular magazines, the stereotypical renderings of recipe books and calendar art, the ritual performance of Mexican femaleness in the quinceañera, and mediums through which Chicano masculinity is measured. (from the publisher)
	Sor Juana's Second Dream (University of New Mexico Press, 1999) In her first novel, poet and Chicano studies scholar Gaspar de Alba brings to life Sor Juana Ines de la Cruz, a prolific, brilliant, and complex author and nun of 17th-century Mexico. Although Sor Juana left behind several volumes of published writings, the more personal details of her life remain sketchy. Gaspar de Alba has artfully combined excerpts from the writings with explicit, fictionalized journal entries to create a vibrant, if sometimes anachronistic, account of a complex life. Long adored in Mexico, Sor Juana has only recently become popular in the United States. She is often considered North America's first lesbian feminist writer, and Gaspar de Alba clearly shares this view. Eminently readable, this book is recommended for larger public libraries; readers desiring a more conservative biography might prefer Nobel laureate Octavio Paz's Sor Juana; or, The Traps of Faith (LJ 9/1/88).--Mary Margaret Benson, Linfield Coll. Lib., McMinnville, OR Copyright 1999 Cahners Business Information. (from Library Journal and www.barnesandnoble.com)
	Chicano Art Inside/Outside The Master's House (University of Texas Press, 1998) In the early 1990s a major exhibition--"Chicano Art: Resistance and Affirmation, 1965-1985"--toured major museums across the United States. The exhibit attracted both praise and controversy. This book presents the first interdisciplinary cultural study of the CARA exhibit. Alicia Gaspar de Alba shows how the exhibit reflected, and serves as a model for, the cultural and sexual politics of the Chicano Movement. 20 color and 58 b&w photos. (from the publisher)
	The Mystery of Survival and Other Stories (Bilingual Press, 1993) In The Mystery of Survival and Other Stories, Gaspar de Alba considers the boundaries between sexes, lovers, cultures, generations, and beliefs and presents a body of work that allows her characters to both defy and celebrate these borders. This collection is peopled by those tenaciously exploring their places in the world: an ambitious young Mexican American reporter who quietly comes to understand the profound impermeability of this boundary as his Anglo editor refuses to see him as anything but an underling; a young woman haunted by the memories of her childhood along the United States/Mexico border; a boy who crosses the brittle line his parents have drawn between each other and chooses to show his allegiance to his mother. Gaspar de Alba reveals characters who, by exploring these boundaries, learn to define themselves and, ultimately, discover not just how to survive, but to flourish. (from the publisher)
	"Beggar on the Cordoba Bridge," collection of poems in Three Times A Woman: ChicanaPoetry (Bilingual Press, 1989)